2023 Books: What We Read This Year

Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction,” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen – all the while sharing her diaries, email, and all her income.

In I’m Glad My Mom Died, Jennette recounts all this in unflinching detail—just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called iCarly, she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi (“Hi Gale!”), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships.

These issues only get worse when, soon after taking the lead in the iCarly spinoff Sam & Cat alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants.

Told with refreshing candor and dark humor, I’m Glad My Mom Died is an inspiring story of resilience, independence, and the joy of shampooing your own hair.

You can read more and get your copy here.

A young woman descended from Thomas Jefferson and Sally Hemings driven from her neighborhood by a white militia. A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America.

Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation. In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.”

United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable book that bears witness to this country’s legacies with a powerful debut connection from a brilliant and original new voice.

You can read more and get your copy here.

A fearless deep dive into the 2020 election from former MSNBC “Road Warrior” and now NBC Capitol Hill correspondent Ali Vitali, who covered the campaign trail every step of the way—investigating the gendered double standards placed on women presidential candidates of that cycle and those who came before, and what it will take for a woman to finally break the glass ceiling and win the White House.

Opening with the moment when Joe Biden and Kamala Harris were finally declared the winners of the 2020 race—the long, drawn-out journey towards who would next inhabit the White House, and the resulting and disputed defeat of Donald Trump, Electable is a sweeping look at a lingering question from that Presidential race. Why, when we saw more women run for President of the United States than ever before in our history, did we still not cross that final hurdle?

Following the 2020 race minute by minute as the reporter embedded with Elizabeth Warren, Ali Vitali witnessed up-close the way that our most recent election was unique—not simply for the way in which the incumbent conducted himself, but for the ways in which the field, rich with Democrats from all kinds of backgrounds, was both modern but also more of the same. With more female candidates than ever before, this was a history-making race, and yet these women—most of them incredibly qualified with decades of public service on their resumes—dealt once again with a different level of scrutiny than their male counterparts. Woven throughout is close examination of the treatment of Hillary Clinton, Geraldine Ferraro, Shirley Chisholm, and those on the right as well. Grappling with ideas around the “likeability” and “electability” issues, as well as fundraising hurdles many female candidates face, Vitali asks the same questions she and so many have been grappling with for decades, but especially since Hillary Clinton’s devastating defeat in 2016: Why is it so hard for a woman to be taken seriously as a presidential contender? What will it take for men and women to be held to the same standard? What happens next?

You can read more and get your copy here.

Kate Baer’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer and an artist working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.

You can find more and get your copy here.

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t as much of an outsider at Granby as she’d thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case.

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman’s reckoning with her past, with a transfixing mystery at its heart.

You can read more and get your copy here.

You'd love to have a "ride or die" posse like you see on social media, but instead you have a host of really good . . . acquaintances. After all, trying to find a soul friend in the midst of dirty dishes, deadlines, and, oh, a crazy busy life can be overwhelming.

But what if developing great friendships was actually easier than we thought? And what if finding a "soul friend" wasn't necessarily our highest goal?

In The Life Council, Laura Tremaine—the writer and podcaster behind 10 Things to Tell You—tells us what we've been hoping was true all along: making, keeping, and even releasing friends doesn't need to be as hard as we make it. This fun and practical guide will inspire and equip you to be a better friend, make new friends, and appreciate how different types of friendships can bring a richness to your life like never before.

You can read more and get your copy here.

Bustle editor Samantha Leach and her childhood best friend, Elissa, met as infants in the suburbs of Providence, Rhode Island, where they attended nursery, elementary school, and temple together. As seventh graders, they would steal drinks from bar mitzvahs and have boys over in Samantha’s basement—innocent, early acts of rebellion. But after one of their shared acts, Samantha was given a disciplinary warning by their private school while Elissa was dismissed altogether, and later sent away. Samantha did not know then, but Elissa had just become one of the fifty-thousand-plus kids per year who enter the Troubled Teen Industry: a network of unregulated programs meant to reform wealthy, wayward youth. 

Less than a year after graduation from Ponca Pines Academy, Elissa died at eighteen years old. In Samantha’s grief, she fixated on Elissa’s last years at the therapeutic boarding school, eager to understand why their paths diverged. As she spoke to mutual friends and scoured social media pages, Samantha learned of Alyssa and Alissa, Elissa’s closest friends at the school who shared both her name and penchant for partying, where drugs and alcohol became their norm. The matching Save Our Souls tattoo all three girls also had further fueled Samantha’s fixation, as she watched their lives play out online. Four years after Elissa’s death, Alyssa died, then Alissa at twenty-six. 

In The Elissas, Samantha endeavors to understand why they ultimately met a shared, tragic fate that she was spared, in turn, offering a chilling account of the secret lives of young suburban women.

You can read more and get your copy here.

Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks.

So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.

So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree.

But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.

You can read more and get your copy here.

Ambition—the want, the hunger, the need to achieve—is woven into America’s fabric from the first colonization to capitalism. From our first gold star assignment to acceptance at the “right” college to hustle and grinding our lives, we celebrate our drive, even as we gatekeep who is permitted to strive--and how visibly. Even as we burn out. When we can’t even. When we know: work won’t love us back.

All the Gold Stars looks at how the cultural, personal, and societal expectations around ambition are driving the burnout epidemic by funneling our worth into productivity, limiting our imaginations, and pushing us further apart. Through the devastating personal narrative of her own ambition crisis, Stauffer discovers the common factors driving us all, peeling back layers of family expectations, capitalism, and self-esteem that dangerously tie up our worth in our output. Interviews with students, parents, workers, psychologists, labor organizers, and more offer a new definition of ambition and the tools to reframe our lives around true success. All the Gold Stars provides ways for us to reject our current reality and reconceive ambition as more collective, imaginative, and rooted in caring for ourselves and each other.

You can read more and get your copy here.

Cinnamon Haynes has fought hard for a life she never thought was possible—a good man by her side, a steady job as a career counselor at a local community college, and a cozy house in a quaint little beach town. It may not look like much, but it’s more than she ever dreamed of or what her difficult childhood promised. Her life’s mantra is to be good, quiet, grateful. Until something shifts and Cinnamon is suddenly haunted by a terrifying question: “Is this all there is?”

Daisy Dunlap has had her own share of problems in her nineteen years on earth—she also has her own big dreams for a life that’s barely begun. Her hopes for her future are threatened when she gets unexpectedly pregnant. Desperate, broke, and alone, she hides this development from everyone close to her and then makes a drastic decision with devastating consequences.

Daisy isn’t the only one with something to hide. When Cinnamon finds an abandoned baby in a park and takes the blonde-haired, blue-eyed newborn into her home, the ripple effects of this decision risk exposing the truth about Cinnamon’s own past, which she’s gone to great pains to portray as idyllic to everyone…even herself.

As Cinnamon struggles to contain old demons, navigate the fault lines that erupt in her marriage, and deal with the shocking judgments from friends and strangers alike about why a woman like her has a baby like this, her one goal is to do right by the child she grows more attached to with each passing day. It’s the exact same conviction that drives Daisy as she tries to outrun her heartache and reckon with her choices.

These two women, unlikely friends and kindred spirits must face down their secrets and trauma and unite for the sake of the baby they both love in their own unique way when Daisy’s grandparents, who would rather die than see one of their own raised by a Black woman, threaten to take custody.

Once again, these authors create an unforgettable novel that revolves around provocative and timely questions about race, class, and motherhood. Is being a mother a right, an obligation, or a privilege? Who gets to be a mother? And to whom? And what are we willing to sacrifice for the sake of marriage, friendship, and our dreams?

You can read more and get your copy here.

Growing up gifted and working-class poor in the foothills of the Ozarks, Monica and Darci became fast friends. The girls bonded over a shared love of reading and learning, even as they navigated the challenges of their tumultuous family lives and declining town—broken marriages, alcohol abuse, and shuttered stores and factories. They pored over the giant map in their middle-school classroom, tracing their fingers over the world that awaited them, vowing to escape. In the end, Monica left Clinton for college and fulfilled her dreams, but Darci, along with many in their circle of friends, did not.

Years later, working as a journalist covering poverty, Potts discovered what she already intuitively knew about the women in Arkansas: Their life expectancy had dropped steeply—the sharpest such fall in a century. This decline has been attributed to “deaths of despair”—suicide, alcoholism, and drug overdoses—but Potts knew their causes were too complex to identify in a sociological study. She had grown up with these women, and when she saw Darci again, she found that her childhood friend—addicted to drugs, often homeless, a single mother—was now on track to becoming a statistic. In this gripping narrative, Potts deftly pinpoints the choices that sent her and Darci on such different paths and then widens the lens to explain why those choices are so limited. 

You can read more and get your copy here.

At twenty-six years old, life looked a certain way for Nikki Vargas. She’d settled in New York City ready to join the ranks of the Carrie Bradshaws of the world, had landed in a promising advertising career, and was newly engaged to her college sweetheart. But between corporate happy hours and wedding dress fittings, she couldn’t shake a deep underlying sense of imposter syndrome, a voice telling her that she was rocketing towards a future that didn’t look like her. And so, she bought a plane ticket: first to Cartagena. Then to Panama. Then to Iguazú.

What begins with one freelance travel writing assignment escalates into a whirlwind, globe-spanning journey that would transform Nikki’s life. Taking her from the street food stalls of Vietnam to the cascading waterfalls of Argentina, Nikki uncovers shocking truths about her family, comes face to face with a new love interest – or two – and ultimately turns a no-name blog into the internationally celebrated venture of Unearth Women, the first major female-focused travel publication.

Told in transporting detail and candid reflections, Call You When I Land takes the familiar story of a woman going abroad to find herself and turns it on its head, as the act of traveling becomes, for Nikki, an exhilarating career path – and ultimately a tool to champion women’s voices across the world.

You can read more and get your copy here.